{"title":"Books","description":"","products":[{"product_id":"copy-of-publication-everywhere-is-anywhere-is-anything-is-everything","title":"Everywhere is Anywhere is Anything is Everything","description":"\u003cp\u003eThis publication is the first monograph to provide a comprehensive overview of Douglas Coupland’s visual art practice. Bringing together diverse perspectives from curators, art historians and cultural thinkers, this fully–illustrated volume offers wide–ranging interpretations on the significance of Coupland’s artwork.\u003c\/p\u003e\n\u003cp\u003eIt documents his major solo exhibition at the Vancouver Art Gallery which features works made over the last 12 years as well as several new large–scale installations. Co–published by the Vancouver Art Gallery and Black Dog Publishing, it is an indispensable guide to Coupland’s art and will be an extensive resource for years to come.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEssays by Daina Augaitis and\u003cspan spacing=\"none\"\u003e \u003c\/span\u003eHans-Ulrich Obrist\u003c\/p\u003e\n\u003cp\u003e373 pages\u003cbr\u003e11 x 1.18 \u003cspan\u003einches\u003c\/span\u003e\u003cbr\u003eISBN 9781908966520\u003cbr\u003eHardcover \u003cbr\u003eVancouver Art Gallery and Black Dog Publishing\u003cbr\u003e2014\u003c\/p\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":755039167,"sku":"9781908966520","price":59.95,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":755039171,"sku":"9781908966520","price":53.96,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/DouglasCoupland_Cover_aa41520a-48b7-473f-accd-67950cff9847.jpg?v=1406158400"},{"product_id":"myfanwy-macleod-or-there-and-back-again","title":"Myfanwy MacLeod, or There and Back Again","description":"\u003cp\u003e\u003cem\u003eMyfanwy MacLeod, or There and Back Again\u003c\/em\u003e is an ambitious new monograph that focuses on the Vancouver artist’s recent sculpture and photography, in which the sexually charged music of Led Zeppelin and the writing of J.R.R. Tolkien are key references. A 1977 Chevrolet Camaro on a rotisserie stand, a large-scale modular sculpture that resembles both the “stacks” of Donald Judd and the wall of Marshall speaker cabinets used by Led Zeppelin, and a series of origami sculptures produced by folding Playboy centrefolds of Dorothy Stratten all appear in this exciting new book on one of Canada’s foremost contemporary artists.\u003c\/p\u003e\n\u003cp\u003eThis book was published on the occasion of an exhibition organized by the Vancouver Art Gallery and Museum London, curated by Grant Arnold and Cassandra Getty, and presented at the Gallery from March 8 to June 8, 2014.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited by Grant Arnold\u003cbr\u003eEssays by Grant Arnold, Josée Drouin-Brisebois, Cassandra Getty, Joseph Monteyne and The Music Appreciation Society\u003c\/p\u003e\n\u003cp\u003e128 pages\u003cbr\u003e10 x 8 inches\u003cbr\u003e116 colour and black and white illustrations\u003cbr\u003eISBN 9781908966537\u003cbr\u003eSoftcover\u003cbr\u003eVancouver Art Gallery, Museum London and Black Dog Publishing\u003cbr\u003e2013\u003c\/p\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":755077839,"sku":"9781908966537","price":27.95,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":755078227,"sku":"9781908966537","price":25.15,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/myfanwy_book_3.jpg?v=1406161942"},{"product_id":"emily-carr-new-perspective-on-a-canadian-icon","title":"Emily Carr: New Perspective on a Canadian Icon","description":"\u003cp\u003eAs a defiant Victorian drawn to the deep forest and the open sky, an early recorder of monumental Northwest Coast art and a painter, writer and humourist, Carr is unique in the Canadian cultural pantheon. Though we know much about her, we know little of the social and political contexts that defined her image and posterity. \u003cem\u003eEmily Carr: New Perspectives on a Canadian Icon\u003c\/em\u003e is an ambitious and groundbreaking book that revisits the artist and her world through the eyes of three distinguished senior curators and nine equally distinguished critics and essayists. Beginning with an exploration of Carr’s artistic development, the text continues will a survey of her work featuring over 300 reproductions including: \u003cem\u003eScorned as Timber\u003c\/em\u003e, \u003cem\u003eBeloved of the Sky\u003c\/em\u003e and \u003cem\u003eAbove the Gravel Pit\u003c\/em\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eEmily Carr: New Perspective on a Canadian Icon\u003c\/em\u003e was published to coincide with an equally ambitious and nationally touring exhibition organized by the National Gallery of Canada and the Vancouver Art Gallery; curated by Ian M. Thom, Charles C. Hill and Johanne Lamoureux; and presented at the Vancouver Art Gallery from October 7, 2006 to January 7, 2007.\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by Ian M. Thom, Charles C. 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Using patterns and designs appropriated from traditional Taiwanese textiles, his work ornaments public museum cafés, lobbies, galleries and façades, transforming the institutional architecture. His unconventional paintings invite visitors to reconsider their perception of these spaces and to become an integral part of the work, giving meaning to the museum’s potential as an arena for interaction and encounter. This first comprehensive overview of the artist’s practice includes over 200 colour images and texts by curator Bruce Grenville, Nicolas Bourriaud, Hou Hanru, Annette Tietenberg and Vivian Rehberg.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMichael Lin: A Modest Veil\u003c\/em\u003e was published on the occasion of an exhibition organized by the Vancouver Art Gallery, curated by Bruce Grenville with Emmy Lee, and presented from January 23 to May 2, 2010.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited by Bruce Grenville and Emmy Lee\u003cbr\u003eEssays by Nicolas Bourriaud, Bruce Grenville, Hou Hanru, Vivian Rehberg and Annette Tietenberg\u003c\/p\u003e\n\u003cp\u003e200 pages\u003cbr\u003e8.6 x 11 inches\u003cbr\u003e211 colour illustrations\u003cbr\u003eISBN 9783775724296\u003cbr\u003eHardcover\u003cbr\u003e\u003cspan\u003eVancouver Art Gallery and Hatje Cantz\u003c\/span\u003e\u003cbr\u003e2010\u003c\/p\u003e","brand":"495","offers":[{"title":"Default Title","offer_id":31528327675987,"sku":"9783775724296","price":10.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/lin_1.jpg?v=1406164180"},{"product_id":"martin-honert","title":"Martin Honert","description":"\u003cp\u003eFascinated by the way in which images are captured and how they evolve within our memories, Martin Honert creates sculptures that are wonderfully obsessive depictions of ideas connected to collective experience. Unlike many artists who focus on memory, however, Honert avoids nostalgia, seeking instead to make the image emotionally inert by isolating it from its original context and often dramatically shifting its scale. With this deliberate distancing he attempts, in his words, “to save an image before it dies within me.” With over 20 new colour reproductions and an essay by eminent Vancouver photographer Jeff Wall, this catalogue documents the first museum exhibition of Honert's work in North America.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eMartin Honert\u003c\/em\u003e was organized by the Vancouver Art Gallery, co-curated by Director Kathleen S. Bartels and artist Jeff Wall, and presented from June 29 to October 14, 2013.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by Kathleen S. 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This sumptuously illustrated book features a major essay by acclaimed surrealist art scholar and editor Dawn Ades, as well as contributions by other leading scholars in North America and Europe, including an examination of the complex relationship between the surrealists and the art of the Northwest Coast.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis publication is a beautiful, panoptic companion to the most comprehensive surrealist exhibition ever presented in Canada, which was organized by the Vancouver Art Gallery, curated by Guest Curator Dawn Ades and presented from May 28 to October 2, 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by Dawn Ades\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEssay by Dawn Ades, Colin Browne, Timothy Baum, Quentin Bajac, Whitney Chadwick, Robert Houle, Sharon-Michi Kusunoki, Yves Le Fur, David Lomas, Marie Mauzé, Andreas Neufert, Michael Richardson, Anthony Shelton, Anne Umland and Kurt Seligmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e336 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 x 10.75 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e257 colour illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9781895442878\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003eVancouver Art Gallery and Douglas \u0026amp; McIntyre\u003cbr\u003e\u003cspan\u003e2011\u003c\/span\u003e\u003c\/p\u003e","brand":"495","offers":[{"title":"Default Title","offer_id":31528438136915,"sku":"9781895442878","price":65.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/surrealism-cover.jpg?v=1406236251"},{"product_id":"mark-lewis-cold-morning","title":"Mark Lewis: Cold Morning","description":"\u003cp\u003ePublished on the occasion of Mark Lewis’ exhibition at the 2009 Venice Biennale, \u003cem\u003eMark Lewis: Cold Morning\u003c\/em\u003e offers a survey of the artists’ career as well as a behind-the-scenes look at his involvement in the Canadian Pavilion at the Biennale. 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Barnicke Gallery, commissioning institution for the Canada Pavilion at the 53rd Venice Biennale, held from June 7 to November 22, 2009.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited by Barbara Fischer\u003cbr\u003e\u003cspan\u003eEssays by Grant Arnold, Klaus Biesenbach, David Campany, Wasiuta Leung Design, Barbara Fischer, Mark Lewis and Laura Mulvey\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e159 pages\u003cbr\u003e8.75 x 11 inches\u003cbr\u003e\u003cspan\u003e84 colour illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9780772760746\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003eVancouver Art Gallery; Justine M. 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With more than 100 works in oil and watercolour, never before published photographs and drawings by the artist, this book provides unique and personal insights into this innovative Canadian artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLike the members of the Group of Seven, Milne primarily chose landscape as his subject matter. However, his true subject was the process of perception and representation, reducing his painting to its essentials and infusing it with his own distinctive modern sensibility. Through the use of photographs, archival material and Milne's own writings the book presents a moving account of one man's spiritual and emotional voyage into modernity: from his early life in small town Ontario, to the bustling sidewalks of New York, on to the war torn landscapes of northern France as an official war artist and back again to the woods, lakes and fields of upstate New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003ePivoting as it does on Milne's war art, which includes some of the most formally daring of his career, the publication will serve as a poignant locus of remembrance, underscoring the historic bond between Canada and Great Britain, and offering a unique perspective on history through the eyes of one of Canada's most sophisticated modern painters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003ePublished on the occasion of the exhibition \u003cem\u003eDavid Milne: Modern \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003ePainting\u003c\/em\u003e presented at: \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e  \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eDulwich Picture Gallery: 14 February - 7 May, 2018 \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eVancouver Art Gallery: 16 June - 16 September, 2018 \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eMcMichael Collection of Canadian Art: 4 October, 2018 - 13 January, 2019       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited by Sarah Milroy and Ian A.C. Dejardin\u003cbr\u003eEssays by Ian A.C. Dejardin, Katerina Atanassova, Katharine Lochnan, Margaret MacMillan, Anne-Marie Ninacs, Jane Urquhart, Edward Burtynsky, Sarah Milroy, John O'Brian and David P. Silcox\u003c\/p\u003e\n\u003cp\u003e204 pages\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e9.6 x 11.2 \u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003einches\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781781300619\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSoftcover\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003ePhilip Wilson Publishers Ltd.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2018\u003c\/span\u003e\u003c\/p\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":12226806743123,"sku":"9781781300619","price":35.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":12226806775891,"sku":"9781781300619","price":31.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/publication_image_milne.jpg?v=1524519269"},{"product_id":"susan-point-spindle-whorl","title":"Susan Point: Spindle Whorl","description":"\u003cp style=\"background: white; margin: 0in 0in 10.5pt 0in;\"\u003eOver the past three and a half decades, Musqueam artist Susan Point has received wide acclaim for her accomplished and remarkably wide-ranging oeuvre that forcefully asserts the vitality of Coast Salish culture, both past and present. During that time, she has produced an extensive body of prints and an expansive corpus of sculptural work in a wide variety of materials that includes glass, resin, concrete, steel, wood and paper. The range of techniques she has employed is as diverse as her selection of materials; they include screen and wood-block printing, wood carving, paper casting and industrial methods of cutting steel, while the scale of her work ranges from the intimacy of the jewelry she produced in the early 1980s to the monumental public sculptures she first undertook in the 1990s and continues to make today.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Coast Salish spindle whorl has been a persistent motif in Point’s work since the beginning of her career. Comprised of a small (usually) wooden disk with a pole inserted through the centre, this tool was traditionally used by Coast Salish women to prepare wool that would be woven into garments and ceremonial blankets. Point has drawn upon the spindle whorl to provide a formal structure for her art while combining this motif with a uniquely Salish vocabulary of circles, crescents and curved triangles, elements that distinguish the art of her people from the formline-based art of northern Indigenous peoples.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWhile Point’s practice is informed by a profound respect for Coast Salish traditions, she has pushed the boundaries of tradition in her desire to articulate Salish culture in contemporary terms. When she embarked on her career there were few precedents for an Indigenous woman to carve or work with sculpture, as these were activities traditionally done by men. Nonetheless—as this exhibition shows—Point embraced both carving and sculptural work and has continually pushed the traditional form of the spindle whorl in extraordinary new directions. \u003cem\u003eSusan Point: Spindle Whorl\u003c\/em\u003e will survey Point’s entire career through more than a hundred artworks that take the spindle whorl as their starting point. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"background: white; margin: 0in 0in 10.5pt 0in;\"\u003e\u003cspan style=\"color: #000000;\"\u003eCo-published by the Vancouver Art Gallery and Black Dog Publishing on the occasion of the exhibition \u003cem\u003eSusan Point: Spindle Whorl,\u003c\/em\u003e\u003cem\u003e \u003c\/em\u003ecurated by Grant Arnold, Audain Curator of British Columbia Art and Ian Thom, Senior Curator-Historical and presented from February 18 to May 28, 2017.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"background: white; margin: 0in 0in 10.5pt 0in;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by Grant Arnold and Ian Thom\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e160 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9.25 x 11.25 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e130 colour illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9781911164265\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVancouver Art Gallery and Black Dog Publishing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2017\u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":12226835611731,"sku":"9781927656280","price":47.95,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":12226835644499,"sku":"9781927656280","price":43.16,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/PUBLICATION_IMAGES_POINT.jpg?v=1524521355"},{"product_id":"a-cultivating-journey-un-voyage-au-coeur-de-lart-the-herman-h-levy-legacy-le-legs-herman-h-levy-english-and-french-edition-paperback","title":"A Cultivating Journey \/ Un Voyage Au Coeur de L'art: The Herman H. Levy Legacy \/ Le Legs Herman H. Levy (English and French Edition)","description":"\u003cp\u003e\u003cem\u003eA Cultivating Journey\u003c\/em\u003e examines the collection of significant European historical and modern art donated to the McMaster Museum of Art by Herman Levy in 1984, and includes works by Courbet, Derain, Monet, Pissarro and Van Gogh. Today the production of such a project raises the critical question: how does the museum collect in the twenty-first century? This would have been a much easier consideration when the Levy donation entered the museum's collection. Up until that time, art history and the museum were Western inventions that served a particular period (circa 1860-1980) without contestation. The situation has since changed, forcing a reconsideration of the making, collecting, and presenting of art in a diverse and global world through a decidedly ideological institution. This thoroughly illustrated publication serves as both exhibition catalogue as well as an analysis of the task at hand. In essays and extended didactic statements on individual works, experts in their fields document the conundrum while speaking to\/in the present museological moment. Discussions include the act of collecting; the transfer of personal to public; the enduring yet changing cultural significance of works of art - formally and socio-politically; the changing nature of collections; and the role of the museum in naming, classifying, interpreting, and maintaining works of cultural heritage.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eA Cultivating Journey: The Herman H. Levy Legacy\u003c\/em\u003e\u003cspan\u003e was published to accompany the exhibition organized by the McMaster Museum of Art curated by Dr. Ihor Holubizky, Senior Curator. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003eMcMaster Museum of Art: September 1 - December 9, 2017\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003eVancouver Art Gallery: March 3 - May 21, 2018\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003eKelowna Art Gallery: June 16 - October 28, 2018\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eForeword by Carol Podedworny\u003cbr\u003eEssays by Tabitha Barber, Tobi Bruce, Lloyd DeWitt, Ihor Holubizky, Alex Kidson, Alison McQueen, Kim Ness\u003cspan class=\"author notFaded\" data-width=\"109\"\u003e\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, Caterina Pierre\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e250 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e8.8 x 11.2 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781926632186 \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003eABC Art Books Canada \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2018 \u003cbr\u003e\u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":12226890760275,"sku":"9781926632186","price":45.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":12226890793043,"sku":"9781926632186","price":40.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/publication_images_cultivating.jpg?v=1524529458"},{"product_id":"cabin-fever","title":"Cabin Fever","description":"\u003cp\u003eCabin Fever traces the course of the cabin in Canada and the United States – from the simple architecture of colonial settlements to contemporary interpretations feverishly circulated across the Internet – showing how this humble architectural form has been appropriated for its symbolic value and helped shape a larger cultural identity. The title is borrowed from the idiomatic expression for an anxious state of mind resulting from a prolonged stay in a remote or confined space. But it also plays upon the more consumer-driven definition of “fever:” a contagious, usually transient, fascination with an object of desire. Acknowledging the pervasive influence of this typology, Cabin Fever offers a historical survey of the cabin in North America over the past three centuries. Heavily illustrated, it is composed of a selection of notable literature, excerpted texts and iconic images that chronicle the long history of writing and visual documentation of the cabin. The publication follows a tripartite structure – Shelter, Utopia and Porn – that maps the formal evolution of the cabin typology within a changing set of social and cultural desires. Additional content includes a typological narrative of twenty selected buildings that collectively trace the development of the cabin from rudimentary shelter to technologically sophisticated retreat and a survey of art that recognizes the cabin as a subject with enduring and complex connotations.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCabin Fever was published in conjunction with Cabin Fever, an exhibition organized by the Vancouver Art Gallery, curated by Jennifer M. Volland, Bruce Grenville and Stephanie Rebick, and presented from June 9 to September 30, 2018.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited by Jennifer M. Volland, Bruce Grenville and Stephanie Rebick \u003cbr\u003eEssays by Edward Abbey, Margaret Atwood, James Benning, W.E.B. DeBois, Walker Evans, Karl Ove Knausgaard, Dorothea Lange, Michael Pollan, Rudolph Schindler, Julius Shulman, Henry David Thoreau, Marc-Antoine Laugier, Jean-Luc Pilon, C.A. Weslager, Caroline M. Kirkland, Dawn E. Keetley, Alexis de Tocqueville, Mark Twain, Dianne Newell, Marie Bolton and Nancy C. Unger, Gary Snyder, Jack Kerouac, Edward Abbey, Helen A. Burns, Richard Johnson, Kathryn Schulz, Herbert Maier and A.H. Good, Michael Prokopow, Anyssa Neumann, Julius Schulman, David Hill, Chad Randl, Peter Rabbit, Simon Sadler, Scott Watson, Annie Dillard, Allen Ginsberg, Anne LaBastille, Diana Saverin, Mark Wigley, Matthew Grant, Finn Arne Jørgensen, Steven Seidman, Erin Cho, Zach Klein, Akiva Blander, Allison Geller and Monica Kim\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e320 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e9.5 x 7 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e410 (190 colour) illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781927656396\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHardcover \u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eVancouver Art Gallery\u003cbr\u003e2018 \u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":12512766951507,"sku":"9781927656396","price":55.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":12512766984275,"sku":"9781927656396","price":49.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/Cabin_Fever_cover.jpg?v=1528486119"},{"product_id":"guo-pei-couture-beyond","title":"Guo Pei: Couture Beyond","description":"\u003cp\u003eThe first major book on China’s leading couture visionary reveals the intricate craftsmanship and imperial glamour that has fashion publications worldwide declaring Guo Pei’s creations “the Empire’s new clothes.” An exponent of artisan craftsmanship and theatrical fantasy often compared to Alexander McQueen and Sarah Burton, Guo Pei dresses Chinese state dignitaries and American celebrities alike in richly bejeweled creations of imperial opulence. The designer’s first monograph, published on the occasion of her first solo exhibition, offers insight into the growing global influence of China and the complexities of its cultural transition.\u003c\/p\u003e\n\u003cp\u003eThe premier China-based fashion designer to figure prominently on the world stage, Guo Pei produces ornate embroidery and intricate designs that derive from the ancient traditions and symbols of her Chinese heritage, rendered in glamorous silhouettes. Andrew Bolton describes the approach as an “auto-orientalist” couture unprecedented in the “millennial history of Chinese dress.” The grandeur of her work, from the aureate cape Rihanna wore to the 2015 Met Gala to a gown festooned with 200,000 crystals featured in the Beijing Olympics, distinguishes Guo Pei as a worthy heir to the grand tradition of haute couture.\u003cbr\u003e \u003cbr\u003e Lush photography reveals the unprecedented detail achieved through the thousands of hours committed to each garment’s workmanship, a signature of Guo Pei’s atelier. This landmark volume presents a tableau of Guo Pei’s resplendent work: expansive, unconventional, and otherworldly.\u003c\/p\u003e\n\u003cp\u003eThis landmark volume accompanies an eponymous exhibition of dozens of the designer’s dresses first presented at \u003cspan\u003eSCAD FASH Museum of Fashion + Film. \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eSCAD FASH Museum of Fashion + Film: September 7, 2017 - March 4, 2018\u003cbr\u003eVancouver Art Gallery: October 13, 2018 - January 20, 2019\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eForeword by Paula Wallace\u003cbr\u003eIntroduction by Lynn Yaeger\u003cbr\u003ePhotographed by Howl Collective\u003c\/p\u003e\n168 pages\u003cbr\u003e9.25 x 13 \u003cspan\u003einches\u003c\/span\u003e\u003cbr\u003eHardcover\u003cbr\u003eISBN 9780847860661\u003cbr\u003eRizzoli Electa\u003cbr\u003e\u003cspan\u003e2018\u003c\/span\u003e","brand":"4-100052","offers":[{"title":"Non-member","offer_id":13551869263955,"sku":"9780847860661","price":75.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":13551869296723,"sku":"9780847860661","price":67.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/guo_pei_image_513eRo9isGL._SX371_BO1204203200.jpg?v=1539212904"},{"product_id":"dana-claxton-fringing-the-cube","title":"Dana Claxton: Fringing the Cube","description":"\u003cp\u003eKnown for her expansive multidisciplinary approach to art making Vancouver-based Dana Claxton, who is Hunkpapa Lakota (Sioux), has investigated notions of Indigenous identity, beauty, gender and the body, as well as broader social and political issues through a practice which encompasses photography, film, video and performance.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRooted in contemporary art strategies, her practice critiques the representations of Indigenous people that circulate in art, literature and popular culture in general. In doing so, Claxton regularly combines Lakota traditions with “Western” influences, using a powerful and emotive “mix, meld and mash” approach to address the oppressive legacies of colonialism and to articulate Indigenous world views, histories and spirituality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis timely catalogue is the first monograph to examine the full breadth and scope of Claxton’s practice. It is extensively illustrated and includes essays by Claxton’s colleague Jaleh Mansoor, Associate Professor in the Department of Art History, Visual Art \u0026amp; Theory at the University of British Columbia; Monika Kin Gagnon, Professor in the Communications Department at Concordia University, who has followed Claxton’s work for 25 years; Olivia Michiko Gagnon, a New York–based scholar and doctoral student in Performance Studies; and Grant Arnold, Audain Curator of British Columbia Art at the Vancouver Art Gallery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis exhibition is presented by the Vancouver Art Gallery: October 27, 2018 - February 3, 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEssays by Grant Arnold, Monika Kin Gagnon, Olivia Michiko Gagnon and Jaleh Mansoor\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e160 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e8.75 x 10.5 \u003cspan\u003einches\u003c\/span\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781773270500\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eVancouver Art Gallery and Figure 1 Publishing\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2018\u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":13552004595795,"sku":"9781927656402","price":40.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":13552004628563,"sku":"9781927656402","price":36.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/9781773270500_FC_f445dd58-1650-4b9a-9187-ca45e06b1a01.jpg?v=1618522186"},{"product_id":"ayumi-goto-and-peter-morin-how-do-you-carry-the-land","title":"Ayumi Goto and Peter Morin: how do you carry the land?","description":"\u003cp\u003eBecoming an art object in itself, this publication creatively re-assembles the exhibition \u003cem\u003eAyumi Goto and Peter Morin: how do you carry the land?\u003c\/em\u003e. Photographs of artworks and performance documentation are juxtaposed in new arrangements so that the reader encounters Goto and Morin’s work with a fresh perspective from which new meanings can arise. Photographs sit alongside poetic texts by Juliane Okot Bitek and features the work of artists commissioned to make new works for the exhibition, including Haida carver Corey Bulpitt, Semiamhoo experimental weaver Roxanne Charles, Japanese Canadian installation artist Haruko Okano, and filmmaker Navarana Igloliorte. Senior Curatorial Fellow of Indigenous Art and the exhibition’s curator, Tarah Hogue’s essay delves into Goto and Morin’s collaborative performance art methodology, contributing to an expansion of the discourse of performance art in consideration of the cultural knowledge both artists bring to their work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eDesigned by Sébastien Aubin, an award winning Indigenous designer from the Opaskwayak Cree Nation in Manitoba, who was the University of Manitoba’s first Indigenous Designer in Residence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis catalogue was published in conjunction with \u003cem\u003eAyumi Goto and Peter Morin: how do you carry the land?, \u003c\/em\u003ean exhibition organized by the Vancouver Art Gallery, curated by Tarah Hogue, Senior Curatorial Fellow, Indigenous Art, and presented from July 14 to October 28, 2018.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eForeword by Kathleen S. Bartels\u003cbr\u003eEssay by Tarah Hogue  \u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e48 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e6.5 x 9.5 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e21 colour illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781927656419\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSoftcover\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eVancouver Art Gallery\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2018 \u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":21345560461395,"sku":"9781927656419","price":24.95,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":21345560494163,"sku":"9781927656419","price":22.45,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/how_do_we_carry_Cover.jpg?v=1547068156"},{"product_id":"french-moderns-monet-to-matisse-1850-1950","title":"French Moderns: Monet to Matisse, 1850-1950","description":"\u003cp\u003eThis volume featuring 59 works from the Brooklyn Museum's renowned European collection, celebrates France as the artistic center of international modernism from the mid-nineteenth to the mid-twentieth century. Ranging widely in scale, subject matter, and style, these paintings and sculptures were produced by the era's leading artists, both French-born and others who studied and worked in France. The 47 artists represented include Bonnard, Caillebotte, Cézanne, Chagall, Degas, Matisse, Monet, Redon, Renoir and Rodin.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eOrganized into four sections, the works in this book exemplify the successive avant-garde movements that defined modern art in the nineteenth and twentieth centuries, tracing a shift from naturalism to the rise of abstraction. Chapters on 'Landscape,' 'Still Life,' 'Portraits and Figures,' and 'The Nude,' invite the reader to discover comparisons and contrasts across time and mediums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eFrench Moderns: Monet to Matisse, 1850–1950\u003c\/em\u003e was published on the occasion of the exhibition organized by the Brooklyn Museum. It is presented at the Vancouver Art Gallery from February 21 - May 20, 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEssays by Richard Aste and Cora Michael\u003c\/span\u003e\u003c\/p\u003e\n144 pages\u003cbr\u003e\u003cspan\u003e11 x 10 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9781785510724 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScala Arts Publishers Inc.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2017\u003c\/span\u003e","brand":"4-100069","offers":[{"title":"Default Title","offer_id":31528139948115,"sku":"9781785510724","price":44.4,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/french_moderns.jpg?v=1551978860"},{"product_id":"cezanne-and-the-modern-masterpieces-of-european-art-from-the-pearlman-collection","title":"Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection","description":"\u003cp\u003e\u003ci\u003eCézanne and the Modern \u003c\/i\u003eshowcases fifty masterworks of late 19th- to mid-20th-century avant-garde European art from the Henry and Rose Pearlman Collection, one of the most distinguished private collections of modern art in the United States. The volume opens with Henry Pearlman’s “Reminiscences of a Collector,” a fascinating first-person narrative, newly annotated to identify key individuals and dates mentioned in the text. An essay by art historian Rachael Z. DeLue places Pearlman in the context of mid-20th-century American collecting, and a detailed chronology illuminates Pearlman’s collecting practices in relation to noteworthy events in the art world. A series of sixteen brief essays by leading scholars focuses on each of the represented artists and their works, richly illustrated with sumptuous color plates, select details, and numerous comparative images. A comprehensive checklist documenting each of the works—including detailed provenance, exhibition history, bibliographic references, and commentary by a conservator—rounds out this handsome volume, which is published to accompany the first international tour of this important collection.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"author notFaded\" data-width=\"184\" style=\"color: #000000;\"\u003ePublished to accompany the first international tour of this important collection. This exhibition is on view at the Vancouver Art Gallery from February 14 to May 18, 2015.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by Princeton University Art Museum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEssays by \u003cspan class=\"author notFaded\" data-width=\"187\"\u003eRachael Z. DeLue\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"147\"\u003eScott Allan\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"173\"\u003eBridget Alsdorf\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"150\"\u003eKelly Baum\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"154\"\u003ePetra T. Chu\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"180\"\u003eCaroline I. Harris\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"159\"\u003eCora Michael\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"172\"\u003eNorman Muller\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"166\"\u003eBetsy Rosasco\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"178\"\u003eMatthew Simms\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"172\"\u003eJames Steward\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"163\"\u003eAllison Unruh\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"171\"\u003eAlastair Wright \u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003eand \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"184\"\u003eLynda Zycherman\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e304 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 x 12 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9780300174403 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinceton University Art Museum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2014\u003c\/span\u003e\u003c\/p\u003e","brand":"495","offers":[{"title":"Default Title","offer_id":31527980728403,"sku":"9780300174403","price":15.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/Cezanne_and_the_Modern_Catalogue_Cover.jpeg?v=1554852263"},{"product_id":"i-had-an-interesting-french-artist-to-see-me-this-summer-emily-carr-and-wolfgang-paalen-in-british-columbia","title":"I had an interesting French Artist to see me this summer: Emily Carr and Wolfgang Paalen in British Columbia","description":"\u003cp\u003e\u003cem\u003eI had an interesting French Artist to see me this summer \u003c\/em\u003ebrings together new research concerning the French\/Austrian artist Wolfgang Paalen (1905–1959) and the great Canadian modernist Emily Carr (1871–1945), who both dedicated their most productive years to what Paalen called “the direct visualization of the forces which move our body and mind.” Esteemed scholar Colin Browne tells the story of how both artists met in Victoria, BC, in 1939, and how the creative vision of each one expanded in reaction to the landscape and the monumental art of the Northwest Coast First Nations.\u003c\/p\u003e\n\u003cp\u003ePublished in conjunction with \u003cem\u003eI had an interesting French Artist to see me this summer: Emily Carr and Wolfgang Paalen in British Columbia\u003c\/em\u003e, an exhibition organized by the Vancouver Art Gallery, curated by Colin Browne and presented July 1 to November 13, 2016.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEssay by Colin Browne\u003c\/p\u003e\n80 pages\u003cbr\u003e8.8 x 7.7 inches\u003cbr\u003eISBN 9781927958780\u003cbr\u003eSoftcover\u003cbr\u003eVancouver Art Gallery and Figure 1 Publishing\u003cbr\u003e2016","brand":"495","offers":[{"title":"Non-member","offer_id":27670507257939,"sku":"9781927958780","price":24.95,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":27670507290707,"sku":"9781927958780","price":22.45,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/I_had_an_interesting_French_Artist.jpg?v=1554854023"},{"product_id":"vancouver-special-ambivalent-pleasures","title":"Vancouver Special: Ambivalent Pleasures","description":"\u003cp\u003eThe Vancouver Art Gallery introduces \u003cem\u003eVancouver Special\u003c\/em\u003e, a survey exhibition that will occur every three years. The triennial model offers a sustained engagement with the contemporary artists who make Vancouver a dynamic art community. \u003cem\u003eAmbivalent Pleasures\u003c\/em\u003e is the first iteration of this series and it features works by 40 artists produced within the last five years—Vancouver’s post-Olympic period.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"author notFaded\" data-width=\"\" style=\"color: #000000;\"\u003e\u003ci\u003eVancouver Special\u003c\/i\u003e both documents and furthers the critical conversation around works included in the exhibition, featuring essays on the impact of austerity, increased global interconnectedness, and the arrival of cloud internet on the West Coast art world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"author notFaded\" data-width=\"\" style=\"color: #000000;\"\u003e\u003cem style=\"color: #000000;\"\u003eVancouver Special: Ambivalent Pleasures \u003c\/em\u003ewas published to coincide with the exhibition organized by the Vancouver Art Gallery and curated by Daina Augaitis, Chief Curator\/Associate Director, and Jesse McKee, Head of Strategy at 221A, with curatorial assistance from Mandy Ginson, presented from December 3, 2016 to April 17, 2017.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"author notFaded\" data-width=\"\"\u003eEssays by Daina Augaitis and\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"\"\u003eJesse McKee\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e144 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8.3 x 10.2 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9781911164272\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVancouver Art Gallery and Black Dog Publishing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2017\u003c\/span\u003e","brand":"495","offers":[{"title":"Default Title","offer_id":31528516747347,"sku":"9781911164272","price":27.97,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/vancouver_special.jpg?v=1555085499"},{"product_id":"body-new-art-from-the-uk","title":"Body: New Art from the UK","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis catalogue has been published to accompany a British Council exhibition touring to five venues throughout Canada. This exhibition explores new contemporary works by 14 influential artists whose principal focus is the human body. Emerging in the 1990s, the aggressive, in-your-face attitude of these artists united the forces of British youth culture, mass marketing, and high art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eVancouver Art Gallery: May 28 – September 5, 2005\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e The Ottawa Art Gallery: November 25, 2005 – February 5, 2006\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e Oakville Galleries: April 8 – June 4, 2006\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eEdmonton Art Gallery \/ Art Gallery of Alberta: June 23 – September 3, 2006\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eForewords by Kathleen S. Bartels, Peter Chenery and Brett Rogers \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eEssays by Bruce Grenville, Douglas Coupland, Colin Ledwith\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e64 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e6.6 x 9.4 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781895442519\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eVancouver Art Gallery and the British Council\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2005\u003c\/span\u003e\u003c\/p\u003e","brand":"495","offers":[{"title":"Default Title","offer_id":31527902904403,"sku":"19995","price":12.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/body_new_arr.jpg?v=1555086380"},{"product_id":"shore-forest-and-beyond-art-from-the-audain-collection","title":"Shore, Forest and Beyond: Art from the Audain Collection","description":"\u003cp\u003e\u003cspan class=\"author notFaded\" data-width=\"\"\u003eBeginning with the powerful ceremonial objects of the First Nations peoples, \u003cem\u003eShore, Forest and Beyond: Art from the Audain Collection \u003c\/em\u003etraces the important strands of artistic production in the province right up to the present day. \u003c\/span\u003eGifts from private art collectors have played a vital role in building and expanding the Vancouver Art Gallery's collection. \u003cem\u003eShore, Forest and Beyond\u003c\/em\u003e is an exhibition of 100 works gathered from the collection assembled by Michael Audain.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe exhibition and this accompanying publication highlight the breadth of the collection, which includes: mid-19-century masks by Haida, Nuxalk, Salish, Tlingit and Tsimshian carvers, contemporary First Nations works by Robert Davidson, Brian Jungen and Marianne Nicolson, paintings by British Columbia artists Emily Carr, B.C. Binning and E.J. Hughes and contemporary works by Roy Arden, Jeff Wall, Attila Richard Lukacs, Angela Grossman and Takao Tanabe, and Mexican modernist works by Diego Rivera and Rufino Tamayo.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eShore, Forest and Beyond \u003c\/em\u003ewas published to coincide with the exhibition organized by the Vancouver Art Gallery and curated by Ian Thom, senior curator-historical, and Grant Arnold, Audain Curator of British Columbia Art, presented from October 29, 2011 – January 29, 2012.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eEdited by \u003cspan class=\"author notFaded\" data-width=\"\"\u003eIan Thom and\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"\"\u003eGrant Arnold\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"author notFaded\" data-width=\"\"\u003e160 pages\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"author notFaded\" data-width=\"\"\u003e9.1 x 11 inches\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9781553659297 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover \u003c\/span\u003e\u003cbr\u003eVancouver Art Gallery and Douglas \u0026amp; McIntyre\u003cbr\u003e\u003cspan\u003e2011\u003c\/span\u003e","brand":"490","offers":[{"title":"Non-member","offer_id":27840830668883,"sku":"9781553659297","price":55.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":27840830701651,"sku":"9781553659297","price":49.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/shore_forest_and_beyond.jpg?v=1555346062"},{"product_id":"raven-travelling-two-centuries-of-haida-art","title":"Raven Travelling: Two Centuries of Haida Art","description":"\u003cp\u003eThe core of this powerful assemblage is an exploration of the extraordinary achievement of Haida art, as art. Interwoven throughout the text and the finely reproduced images is a skillful intermingling of key themes: the defining myths of origins; the structures of ownership and privilege; the relationship of the people to the land; the influence of the early master-carvers; the monumental achievements of Charles Edenshaw, Bill Reid, Robert Davidson, and many others; the Haida and colonialism; and hybrid tendencies in contemporary Haida art. From oral histories and genealogies to the breakout aesthetics of contemporary Haida work in many media, this book celebrates a great art in a contemporary context.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eRaven Travelling: Two Centuries of Haida Art\u003c\/em\u003e was published to coincide with the exhibition presented at the Vancouver Art Gallery June 10 to September 17, 2006.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by \u003cspan class=\"author notFaded\" data-width=\"140\"\u003ePeter Macnair\u003cspan class=\"contribution\" spacing=\"none\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"143\"\u003eDaina Augaitis and \u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"144\"\u003eMarianne Jones\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"author notFaded\" data-width=\"144\"\u003eEssays by Nika Collison, Vince Collison, Robert Davidson, Guujaaw and Bill Reid\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e182 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"author notFaded\" data-width=\"144\"\u003e10 x 12.8 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"author notFaded\" data-width=\"144\"\u003e\u003c\/span\u003e\u003cspan\u003eISBN 9781553651857\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVancouver Art Gallery and Douglas \u0026amp; McIntyre\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2006\u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":27844031676499,"sku":"1553651855","price":65.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":27844031709267,"sku":"1553651855","price":58.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/raven_travelling.jpg?v=1555519031"},{"product_id":"moving-still-performative-photography-in-india","title":"Moving Still: Performative Photography in India","description":"\u003cp\u003e\u003cem\u003eMoving Still: Performative Photography in India\u003c\/em\u003e explores themes of migration, gender, religion and national identity through the lens of modern and contemporary photography in India. While exploring the early beginnings of photography in India with works from Ram Singh II and Umrao Singh Sher-Gil, the primary focus of this publication is the lens-based practices of contemporary artists such as Naveen Kishore, Atul Bhalla, Tejal Shah, Vivan Sundaram, Sunil Gupta, Anita Dube and Pushpamala N. Artists rooted in the diversity of cultures and multiplicity within the country, while at the same time engaged in a global dialogue. The publication includes profiles on each of the participating artists, a timeline on the history of performative photography compiled by Critical Collective, as well as feature essays by Diana Freundl, Associate Curator, Asian Art at the Vancouver Art Gallery, and Gayatri Sinha, art critic and curator, that together expand on the historical importance and relevance of photography as an artistic medium in India as well as the development of performative photography.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eMoving Still: Performative Photography in India\u003c\/em\u003e was published in conjunction with the exhibition organized by the Vancouver Art Gallery, an initiative of the Institute of Asian Art and curated by Diana Freundl, Associate Curator of Asian Art and Gayatri Sinha, Independent Curator and founder of Critical Collective, and presented from \u003cspan class=\"exhibitDateInternal\"\u003eApril 19 - September 2, 2019.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan class=\"exhibitDateInternal\"\u003eEssays by Diana Freundl and Gayatri Sinha\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n160 pages\u003cbr\u003e\u003cspan\u003e6.5 x 9.5 inches\u003c\/span\u003e\u003cbr\u003eISBN 9781773270494\u003cbr\u003eHardcover\u003cbr\u003e\u003cspan\u003eVancouver Art Gallery and Figure 1 Publishing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2019\u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":27857890476115,"sku":"9781927656440","price":35.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":27857890508883,"sku":"9781927656440","price":31.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/MovingStill_Cover.jpg?v=1556209111"},{"product_id":"brian-jungen","title":"Brian Jungen","description":"\u003cp\u003eBrian Jungen has been celebrated for transforming basic consumer items into evocative objects, rich with humor and meaning. A member of the Doig River band of the Dunne-za Nation, he uses unexpected materials to challenge the influence ethnography has in forming cultural identity. The first survey of his work, the book features essays from respected curators, plus an interview with the artist himself, which set his work in context. Accompanying the text are spectacular reproductions of some of Jungen's most provocative pieces, from early sculptures to recent large-scale installations.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eBrian Jungen\u003c\/em\u003e was published to coincide with the exhibition organized and circulated by the Vancouver Art Gallery, presented at:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eNew Museum, New York: September 29 - December 31, 2005\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eVancouver Art Gallery: January 28 - April 30, 2006\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eMusée d’art contemporain de Montréal: May 25 - September 4, 2006\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eWitte de With Centre for Contemporary Art, Rotterdam: December 2, 2006 - February 11, 2007\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eMuseum Villa Stuck, Munich: March 8 - May 20, 2007\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIntroduction by \u003cspan\u003eDaina Augaitis\u003c\/span\u003e\u003cbr\u003eEssays by \u003cspan\u003eCuauhtemoc Medina, Trevor Smith, Ralph Rugoff, Kitty Scott and Simon Starling\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e176 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e10 x 11 \u003cspan\u003einches\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e372 colour illustrations\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781553651345\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHardcover\u003cbr\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\"\u003eVancouver Art Gallery and Douglas \u0026amp; McIntyre\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2005\u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":27859743375443,"sku":"19419","price":65.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":27859743408211,"sku":"19419","price":58.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/42978_ca_object_representations_media_13605_publiclarge.jpg?v=1556303372"},{"product_id":"liz-magor","title":"Liz Magor","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAccompanying Liz Magor's solo exhibition, this eponymously titled catalogue is a survey of the artist’s work from 1989 to 2002 and contains four essays examining her sculptural and photographic production, including her ten year project documenting hobbyists who stage historical battles. Other common themes in Magor’s work such as issues of Canadian identity and themes of survivalism are also explored. The catalogue includes colour and black \u0026amp; white reproductions and a detailed exhibition history and bibliography. \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003eThis publication is a proud recipient of the 2003 OAAG Awards in the Curatorial Writing category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eVancouver Art Gallery: \u003cspan\u003eNovember 16, 2002 to February 23, 2003 \u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe Power Plant Contemporary Art Gallery: \u003cspan\u003eMarch 22 – May 25, 2003\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eEssays by Arnold Grant, Philip Monk, Shepherd Steiner and The Office for Soft Architecture\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e96 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9.8 x 7.9 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 1894212002\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Power Plant and the Vancouver Art Gallery\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2002\u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":27878404816979,"sku":"12355","price":39.95,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":27878404849747,"sku":"12355","price":35.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/lizmagor_detail.jpg?v=1557342635"},{"product_id":"truth-beauty-pictorialism-and-the-photograph-as-art-1845-1945","title":"Truth Beauty: Pictorialism and the Photograph as Art, 1845 -1945","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe photographs of the Pictorialist movement are among the most spectacular works of art in the medium's history. Showcasing soft focus, dramatic effects of light, unusual camera angles, and bold technical experimentation, the Pictorialists created highly atmospheric works that expanded photography's visual vocabulary and remain influential today. \u003ci\u003eTruth Beauty\u003c\/i\u003e celebrates this 100-year movement with stunning examples and an engaging history of its rise, scope, and impact on other branches of photography and on art. The 121 vintage photographs have been culled from collections worldwide, including 70 from the prestigious George Eastman House, North America's largest museum of photography. The book includes masterpieces by such luminaries as Julia Margaret Cameron, Edward Steichen, Ansel Adams, and Alfred Stieglitz. \u003ci\u003eTruthBeauty\u003c\/i\u003e expands readers' understanding of Pictorialism's international scope by featuring examples from the Czech Republic, Japan, and Australia. Essays included offer illuminating background, history, and context.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eTruth Beauty: Pictorialism and the Photograph as Art, 1845 -1945\u003c\/em\u003e was published in conjunction with the exhibition organized by the Vancouver Art Gallery in collaboration with George Eastman House International Museum of Photography and Film. It was curated by Alison Nordstršm, Curator of Photographs, George Eastman House International Museum of Photography and Film, and presented from February 2 to April 27, 2008.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEssays by Alison Nordström, Luca Ackerman, Ryuchi Kaneko, Gael Newton, and David Wooters\u003c\/span\u003e\u003c\/p\u003e\n160 pages\u003cbr\u003e\u003cspan\u003e9.2 x 11 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9781553652946\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003eVancouver Art Gallery, George Eastman House International Museum and Douglas \u0026amp; McIntyre\u003cbr\u003e\u003cspan\u003e2008\u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":27878417498195,"sku":"9781553652946","price":60.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":27878417530963,"sku":"9781553652946","price":54.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/5174ZCn9-7L.jpg?v=1557347619"},{"product_id":"takashi-murakami-the-octopus-eats-its-own-leg","title":"Takashi Murakami: The Octopus Eats Its Own Leg","description":"\u003cp\u003eThis landmark publication accompanies a major retrospective exhibition of Takashi Murakami’s paintings. Although other volumes on Murakami in English address the crossover between his fine art and commercial output, this book presents the first serious consideration of his work as a painter. It provides a sustained consideration of the artist’s relationship to the tradition of Japanese painting and his facility in straddling high and low, ancient and modern, eastern and western, commercial and high art. Lavishly illustrated with large-scale images of works that span his art student days to now—many reproduced together for the first time—the book contextualizes Murakami’s output in postwar Japan with essays that situate the artist in relation to folklore, traditional Japanese painting Nihonga, the Tokyo art scene in the 1980s and 1990s, and the threat of nuclear annihilation. The volume includes essays by curator Michael Darling, Michael Dylan Foster, Chelsea Foxwell, Reuben Keehan, and Akira Mizuta Lippit, as well as a biography and exhibition history, selected bibliography, and index.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eTakashi Murakami: The Octopus Eats Its Own Leg\u003c\/em\u003e was published on the occasion of the exhibition organized by the the Museum of Contemporary Art Chicago. It was presented at the Vancouver Art Gallery February 3 to May 6, 2018.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by Michael Darling\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEssays by Madeleine Grynsztejn, Michael Dylan Foster, Chelsea Foxwell, Reuben Keehan, Akira Mizuta Lippit and Nobuo Tsuji\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e288 pages\u003cbr\u003e11.6 × 10.17 inches\u003cbr\u003e\u003cspan\u003e250 colour illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9780847859115\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSkira Rizzoli Publications, Inc.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2017\u003c\/span\u003e\u003c\/p\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":27888263233619,"sku":"9780847859115","price":85.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":27888263266387,"sku":"9780847859115","price":76.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/12075-DEFAULT-m.jpg?v=1557947587"},{"product_id":"entangled-two-views-on-contemporary-canadian-painting","title":"Entangled: Two Views on Contemporary Canadian Painting","description":"\u003cp\u003e\u003cem\u003eEntangled: Two Views on Contemporary Canadian Painting\u003c\/em\u003e offers an insight into two distinctly different modes of painting that have come to dominate contemporary painting in Canada. The origins of both can be effectively traced back to the 1970s, to a moment when the continued existence of painting was hotly debated. Within that debate two new strategies were devised, one that proposed the possibility of conceptual painting—a highly refined notion of painting that emerged from and returned to the idea—and a second, ambivalent proposition that valued actions and materials over ideas—in short, doing and making were pitted against ideas and concepts. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis title traces the legacy of this debate by documenting the work of 32 artists who have been largely responsible for the strong revival that painting now enjoys in Canada. With work by artists from Halifax to Victoria and many places in between, the book offers a convincing survey of the lively exchanges that make painting relevant and meaningful today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eEntangled: Two Views on Contemporary Canadian Painting\u003c\/em\u003e was published on the occasion of the exhibition organized by the Vancouver Art Gallery and co-curated by Bruce Grenville, Senior Curator and David MacWilliam, Emily Carr University of Art + Design professor, and presented from September 30, 2017 to January 1, 2018.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by Bruce Grenville and David MacWilliam\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e112 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10.1 x 7.7 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9781911164449\u003c\/span\u003e\u003cbr\u003eSoftcover\u003cbr\u003e\u003cspan\u003eVancouver Art Gallery and Black Dog Publishing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2017\u003c\/span\u003e\u003c\/p\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":27888321986643,"sku":"9781911164449","price":29.95,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":27888322019411,"sku":"9781911164449","price":26.96,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/81032iyVr8L.jpg?v=1557952778"},{"product_id":"vikky-alexander-extreme-beauty","title":"Vikky Alexander: Extreme Beauty","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVikky Alexander: Extreme Beauty\u003c\/em\u003e is a beautifully illustrated retrospective of nearly four decades of Alexander’s work. Since the 1980s, Alexander has made numerous series of photographs, montages, sculptures, collages and installations, all working to hone a vision that captures the spectacle and inherent falseness of certain public and private spaces. From the exaggerated architecture of Versailles, Disneyland and the West Edmonton Mall, to the use of idyllic “natural” settings and the skin-deep beauty of fashion models, she unravels the mechanisms of display that shape meaning and desire in our culture.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eVikky Alexander: Extreme Beauty\u003c\/em\u003e was published to accompany the exhibition organized by the Vancouver Art Gallery, and curated by Daina Augaitis, Interim Director, and presented from \u003cspan class=\"exhibitDateInternal\"\u003eJuly 6 - October 27, 2019\u003c\/span\u003e\u003cspan class=\"exhibitDateInternal\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEssays by Daina Augaitis, Vincent Bonin, and Leah Pires\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e160 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 x 11.25 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9781773270937\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVancouver Art Gallery and Figure 1 Publishing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2019\u003c\/span\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":29374176231507,"sku":"9781773270937","price":45.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":29374176264275,"sku":"9781773270937","price":40.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/Vikky_Alexander_cover_d639b223-3a85-41db-b656-b234f7a67703.jpg?v=1562796601"},{"product_id":"emily-carr","title":"Emily Carr: From the Vancouver Art Gallery Collection","description":"\u003cp\u003eThe Vancouver Art Gallery is proud to be home to the richest collection of works by the widely renowned British Columbia-based painter Emily Carr (1871–1945). Featuring her works in oil, this catalogue presents over 115 colour reproductions of Carr’s paintings in the Vancouver Art Gallery’s collection. With text contributions by Ian M. Thom, former Senior Curator–Historical at the Vancouver Art Gallery, this book invites the reader to explore the collection and enjoy Carr’s great legacy in British Columbia.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEssays by Kathleen Bartels, Rochelle Steiner and Ian M. 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Using herself as model, wearing a range of costumes and portraying herself in invented situations, she interrogates the imagery employed by the mass media, popular culture and fine art. Television, advertising, magazines, fashion and Old Master paintings all form part of her visual language.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWhether using make-up, costumes, props and prosthetics to manipulate her own appearance, or devising elaborate tableaux, her entire body of 40 years’ work constitutes a highly distinctive response to contemporary and earlier culture, whose stylistic tropes she appropriates and quotes. This book will explore the rich cultural sources that Sherman plunders in creating provocative and ambiguous images that lead us to question the things we see.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eCindy Sherman \u003c\/em\u003econsiders Cindy Sherman's oeuvre through the lens of portraiture. Featuring key examples of her work - from her earliest photographs through to her most recent - it explores the mercurial relationship between appearance and reality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eCindy Sherman \u003c\/em\u003ewas published to accompany the exhibition o\u003cspan\u003erganized by the National Portrait Gallery, London in collaboration with the Vancouver Art Gallery:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003eNational Portrait Gallery, London: 27 June to 15 September 2019\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003eVancouver Art Gallery: 26 October 2019 to 8 March 2020\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan\u003eFoundation Louis Vuitton, Paris: 1 April 2020 to August 2020\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited by Paul Moorhouse and Amelia Collins \u003cbr\u003eEssays by Nicholas Cullinan (Director's Foreword); Erika Balsom (In the Company of Images: \u003cem\u003eUntitled Film Stills); \u003c\/em\u003eMagda Keaney (Cindy Sherman's \u003cem\u003eFashion\u003c\/em\u003e Pictures) and Rochelle Steiner (The Digital Divide)\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e256 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e9.6 x 12.7 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eapprox. 250 (colour and black and white) illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e9781855147126\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHardcover\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"color: #000000;\"\u003e National Portrait Gallery\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2019\u003c\/span\u003e","brand":"4-100090","offers":[{"title":"Member","offer_id":44328619343955,"sku":"9781855147126","price":54.0,"currency_code":"CAD","in_stock":true},{"title":"Non Member","offer_id":44328622817363,"sku":"9781855147126","price":60.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/Exhibition_Catalogue.jpg?v=1563407171"},{"product_id":"transits-and-returns","title":"Transits \u0026 Returns","description":"\u003cp\u003eThis catalogue is a significant contribution to the emergent discourse on global Indigenous art while remaining grounded in the multi-local context of the Pacific, and Vancouver’s connections to this wider region. Co-produced with the Institute of Modern Art, Brisbane, the catalogue includes a collectively authored text by the exhibition’s curators alongside two conversational texts by guest writers David Garneau and Kimberley Moulton, and Kahutoi Mere Te Kanawa and Marianne Nicolson. The essays explore the complexities of being Indigenous in the 21st century as expressed via recent art, curation and scholarship by Indigenous practitioners. As a city with a diverse and complicated history of diaspora and displacement, the \u003cem\u003eTransits and Returns\u003c\/em\u003e exhibition and publication connects Vancouver to a broader Pacific world while including locally-grounded perspectives. It foregrounds Indigenous artists, curators and writers from around the world, and creates new opportunities for exchange, learning and relationship-building.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003ePublished in conjunction with \u003cem\u003eTransits and Returns\u003c\/em\u003e, the third iteration in a series of related exhibitions. \u003cem\u003eTransits and Returns\u003c\/em\u003e was organized by the Vancouver Art Gallery in collaboration with the Institute of Modern Art, Brisbane, and curated by Tarah Hogue, Senior Curatorial Fellow, Indigenous Art with Sarah Biscarra Dilley, Freja Carmichael, Léuli Eshrāghi and Lana Lopesi. 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Her art reveals the extraordinary in the ordinary, the magic in the everyday, and the witty\/surreal\/poignant juxtapositions of the familiar objects and sights -- such as apples, shoes, chairs, clothing, gardens, sidewalks, night skies and pieces of water.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eA wealth of 100 images -- 55 of them in full colour -- and six essays reveal the significant threads in Falk's career: her ground-breaking installations, ceramic sculptures and performance art of the 1960s and 1970s, and her acclaimed paintings and sculptures of the past twenty years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAward-winning writer Robin Laurence looks at Falk's life and work in a major biographical essay that is both engaging and enlightening. Bruce Grenville and Ian Thom of the Vancouver Art Gallery, Mayo Graham of the National Gallery of Canada and noted critic Sarah Milroy contribute shorter essays that illuminate significant works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEssays by Robin Laurence, Ian Thom, Sarah Milroy, Mayo Graham and Bruce Grenville\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e164 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e9 x 11 inches\u003c\/span\u003e\u003cbr\u003e100 colour and black and white illustrations\u003cbr\u003e\u003cspan\u003eISBN \u003c\/span\u003e\u003cspan\u003e9781550547450\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003eVancouver Art Gallery and Douglas \u0026amp; McIntyre\u003cbr\u003e\u003cspan\u003e2000\u003c\/span\u003e","brand":"211","offers":[{"title":"Default Title","offer_id":31528167866451,"sku":"2425","price":75.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/41D6EJ8K94L.jpg?v=1578959045"},{"product_id":"takao-tanabe","title":"Takao Tanabe","description":"\u003cp\u003eTakao Tanabe is one of Canada's most distinguished painters and teachers. His career has taken him to Europe, the United States and Japan, but his first love has always been the landscape of his home province, British Columbia. A tireless supporter of the visual arts in Canada, Tanabe is the recipient of several honorary degrees, as well as the Order of British Columbia, the Order of Canada and the Governor General's Award.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eTakao Tanabe\u003c\/i\u003e is the first major publication on this important Canadian artist. This comprehensive study of Tanabe's life and work helps to mark his position as a leading painter of his generation and one of the most significant landscape painters in Canadian art.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited by Ian Thom\u003cbr\u003eEssays by Nancy Tousley, Jeffrey Spalding and Roald Nasgaard\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e176 pages\u003cbr\u003e9.2 x 11.3 inches\u003cbr\u003eISBN 9781553651413\u003cbr\u003eHardcover\u003cbr\u003eVancouver Art Gallery and Douglas \u0026amp; McIntyre\u003cbr\u003e2005\u003c\/p\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":31376625107027,"sku":"21022","price":60.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":31376625139795,"sku":"21022","price":54.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/41PCQ0DNTWL.jpg?v=1579049872"},{"product_id":"shuvinai-ashoona-life-work","title":"Shuvinai Ashoona: Life \u0026 Work","description":"\u003cp\u003eShuvinai\u003cspan style=\"color: #000000;\"\u003e Ashoona is one of Canada's most renowned artists, whose work has been celebrated domestically as well as in Australia, Europe, and the United States. In the publication \u003cem\u003eVitamin D2: New Perspectives in Drawing\u003c\/em\u003e (Phaidon, 2013), Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional Inuit culture and mythology with influences derived from the non-Arctic world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBorn in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. In the mid-1990s Shuvinai began producing detailed, primarily monochromatic drawings depicting the natural landscapes and traditions of the North. By the late 1990s, however, her attentions shifted to fantastical creatures, dreamlike landscapes, and aerial-perspective representations of a global community, expressed in vivid colour. \u003cem\u003eShuvinai Ashoona: Life \u0026amp; Work\u003c\/em\u003e explores the world of an artist whose rich graphic imagery conveys an intricate and textured personal vision. Using pencil, pen and ink, and markers to render dense, highly imaginative drawings, Shuvinai creates art that reflects the intersection of values between the traditional and the contemporary in the North.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis publication accompanies the exhibition \u003cem\u003eShuvinai Ashoona: Mapping the World\u003c\/em\u003e organized and circulated by The Power Plant Contemporary Art Gallery, Toronto, and curated by Nancy Campbell, PhD, with assistance from Justine Kohleal, Assistant Curator, The Power Plant Contemporary Art Gallery and is on view at the Vancouver Art Gallery February 22 - May 24, 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIntroduction by Sara Angel\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eEssays by Nancy G. Campbell \u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e 128 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e8.5 x 11 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781487101800\u003c\/span\u003e\u003cbr\u003e\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe Canadian Art Library\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2019\u003cbr\u003e\u003c\/span\u003e","brand":"490","offers":[{"title":"Non-member","offer_id":31556811915347,"sku":"9781487101800","price":40.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":31556811948115,"sku":"9781487101800","price":36.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/Shuvinai_Ashoona_Life_and_Work.jpg?v=1582306909"},{"product_id":"carpe-fin-a-haida-manga","title":"Carpe Fin: A Haida Manga","description":"\u003cp\u003eIn a prequel to the award-winning \u003cem\u003eRed: A Haida Manga\u003c\/em\u003e, acclaimed artist Michael Nicoll Yahgulanaas blends Asian \u003cem\u003emanhwa\/manga\u003c\/em\u003e with the Haida artistic and oral tradition in another stunning hand-painted volume.\u003c\/p\u003e\n\u003cp\u003eIn a small near-future community perched between the ocean and the northern temperate rainforest, a series of disasters is taking a heavy toll. It is early fall and a fuel spill has contaminated the marine foods the village was preparing to harvest. As food supplies dwindle, a small group decides to make a late season expedition to search for sea lions. Surprised by a ferocious storm, they abandon one man, Carpe, on an isolated rock at sea. After ten days they are finally able to return, but he has vanished. The story follows Carpe’s encounters with the Lord of the Rock, who demands retribution for Carpe’s role in the hunt, and Carpe’s fate in the half-life between human and animal, life and death.\u003c\/p\u003e\n\u003cp\u003eMichael Nicoll Yahgulanaas\u003cspan\u003e is a visual artist, storyteller and public speaker. Raised on Haida Gwaii, he melds cultural hybridity and his political experiences as an Indigenous person with contemporary graphic literature to produce a unique genre called Haida Manga. His books include \u003c\/span\u003e\u003cem\u003eFlight of the Hummingbird\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eA Tale of Two Shamans\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eRed\u003c\/em\u003e\u003cspan\u003e. He lives in Canada with his wife and daughter, close to the Two Sisters Mountain on an island in the Salish Sea.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMichael Nicoll Yahgulanaas \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e120 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e10.5 x 10.5 \u003cspan\u003einches\u003c\/span\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781771622240\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDouglas \u0026amp; McIntyre\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2019\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"490","offers":[{"title":"Non-member","offer_id":31600500441171,"sku":"9781771622240","price":29.95,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":31600500473939,"sku":"9781771622240","price":26.96,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/9781771622240.jpg?v=1634774162"},{"product_id":"red-a-haida-manga","title":"Red: A Haida Manga","description":"\u003cp\u003eReferencing a classic Haida oral narrative, this stunning full-colour graphic novel documents the tragic story of a leader so blinded by revenge that he leads his community to the brink of war and destruction. Consisting of 108 pages of hand-painted illustrations,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRed\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a groundbreaking mix of Haida imagery and Japanese manga. Now available in paperback, the hardcover edition was nominated for the B.C. Bookseller’s Choice Award, a Doug Wright Award for Best Book and a 2010 Joe Shuster Award for Outstanding Canadian Cartoonist. It was also an Amazon Top 100 book of 2009.\u003c\/p\u003e\n\u003cp\u003eRed is the prideful leader of a small village in the islands off the northwest coast of British Columbia. His sister was abducted years ago by a band of raiders. When news comes that she has been spotted in a nearby village, Red sets out to rescue his sister and exact revenge on her captors. Tragic and time- less, it is reminiscent of such classic stories as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOedipus Rex\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMacbeth\u003c\/i\u003e.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRed\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis an action-packed and dazzling graphic novel that is also a cautionary tale about the devastating effects of rage and retribution.\u003c\/p\u003e\n\u003cp\u003eMichael Nicoll Yahgulanaas\u003cspan\u003e is a visual artist, storyteller and public speaker. Raised on Haida Gwaii, he melds cultural hybridity and his political experiences as an Indigenous person with contemporary graphic literature to produce a unique genre called Haida Manga. His books include \u003c\/span\u003e\u003cem\u003eFlight of the Hummingbird\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eA Tale of Two Shamans\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eRed\u003c\/em\u003e\u003cspan\u003e. He lives in Canada with his wife and daughter, close to the Two Sisters Mountain on an island in the Salish Sea.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMichael Nicoll Yahgulanaas \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e120 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e8.3 x 9 \u003cspan\u003einches\u003c\/span\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781771620222\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDouglas \u0026amp; McIntyre\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2014\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"490","offers":[{"title":"Non-member","offer_id":31600515252307,"sku":"9781771620222","price":22.95,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":31600515285075,"sku":"9781771620222","price":20.66,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/9781771620222.jpg?v=1634774198"},{"product_id":"hope-at-dawn-watercolours-by-emily-carr-and-john-collings","title":"Hope at Dawn: Watercolours by Emily Carr and Charles John Collings","description":"\u003cp\u003eEmily Carr and Charles John Collings both used watercolour to interpret their surroundings in British Columbia during the first half of the twentieth century. However, their art-making practices and approaches to their work couldn’t have been more different. \u003cem\u003eHope at Dawn: Watercolours by Emily Carr and Charles John Collings\u003c\/em\u003e presents an in-depth look at their work, which includes many of Carr’s explorations of First Nations culture and Collings’ studies from his native England. The main focus of the watercolours is the rugged landscape of the province that inspired both artists.\u003c\/p\u003e\n\u003cp\u003eThis catalogue was published in conjunction with \u003cem\u003eHope at Dawn: Watercolours by Emily Carr and Charles John Collings\u003c\/em\u003e, an exhibition organized by the Vancouver Art Gallery and curated by Ian Tom, Senior Curator - Historical, November 22, 2012 to May 26, 2013.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eForeword by Kathleen Bartels\u003cbr\u003eEssay by Ian M. Thom\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e96 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e8.4 x 10.2 \u003cspan\u003einches\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eapprox. 70 colour illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eISBN 9781895442977\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eHardcover\u003c\/span\u003e\u003cbr\u003e \u003cspan style=\"color: #000000;\"\u003e Vancouver Art Gallery\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e2012\u003c\/span\u003e\u003c\/p\u003e","brand":"495","offers":[{"title":"Non-member","offer_id":32174148354131,"sku":"9781895442977","price":45.0,"currency_code":"CAD","in_stock":true},{"title":"Member","offer_id":32174148386899,"sku":"9781895442977","price":40.5,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/products\/Carr_collings_1_sRGB.jpg?v=1598035389"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0474\/9621\/collections\/Shuvinai_Ashoona_Life_and_Work.jpg?v=1585850740","url":"https:\/\/shop.vanartgallery.bc.ca\/collections\/publications\/indigenous-art-books.oembed","provider":"Vancouver Art Gallery Store","version":"1.0","type":"link"}